Probably not, but we’re getting one anyway. Here’s the trailer for Son of God, due out this month:
Apart from some snazzy modern special effects, this looks depressingly by-the-numbers, right down to the very Caucasian-looking Jesus.
My favorite film versions of the story of Jesus are still Franco Zeffirelli’s 1977 miniseries Jesus of Nazareth and Martin Scorsese’s Last Temptation of Christ. Neither are without their flaws, but the former, in my opinion, is the best straight-ahead film version, while the latter takes the most interesting risks with the story. Maybe it helps that both are based on solid books–Zeffirelli’s on Anthony Burgess’s novelization of the gospel story (Burgess also helped write the screenplay), and Scorcese’s on, of course, Nikos Kazantzakis’s novel.
It’s too bad (though maybe not surprising) that the story of Jesus hasn’t inspired filmmakers to do much more than create period costume dramas of varying quality.
This post strikes a good balance in responding to the controversy over a tweet Calvinist preacher John Piper posted immediately after the tornado in Oklahoma.
I enjoyed this podcast of some philosophers discussing Schleiermacher’s “On Religion.” Although they don’t seem to be very familiar with his more explicitly theological work–particularly The Christian Faith–which provides some important context in discussing his views and overall project.
The new pope seems to be taking the “preferential option for the poor” pretty seriously (via bls).
I’m in the middle of this biography of John Wesley. So far my takeaway is that Wesley was in many ways an extremely admirable person, if not necessarily a very likable one. (Of course, the same could be said of many great figures in church history.)
And here’s a new trailer for the upcoming Superman movie:
What makes “Transformers: Dark of the Moon” interesting, to the extent that something that’s so fundamentally idiotic and soul-deadening can also be “interesting,” is what you might call its aesthetic and ontological ambivalence.
Crystal, who blogs at Perspective, had a post recently that referred to the 1999 TV movie Jesus. This got me thinking that I still regard Franco Zeffirelli’s 1977 miniseries Jesus of Nazareth (with scripting by Anthony Burgess, based in part on his book Man of Nazareth) as the definitive film adaptation Jesus’s life. I also enjoyed Scorsese’s Last Tempation of Christ, and think that it’s actually more reverent than its reputation would lead you to believe. (Though I still have a hard time with Harvey Keitel as Judas.) If it’s classic Hollywood epic you’re after, George Stevens’ The Greatest Story Ever Told is hard to beat. (Charlton Heston as John the Baptist! John Wayne as the centurion at the foot of the cross!) There was also the 2003 movie The Gospel of John, which, if I recall correctly, was a word-for-word retelling of the fourth gospel (and starred Henry Ian Cusick–a.k.a. Lost‘s Desmond–as Jesus!). And who could forget Mel Gibson’s notorious Passion of the Christ, which I have to admit I found powerful, even if troubling in several respects.
2010: Moby Dick is an upcoming film adaptation of the 1851 novel Moby-Dick by Herman Melville. The film is an Asylum production, and stars Barry Bostwick as Captain Ahab.
The film takes place in the modern day, and follows Dr. Michelle Herman (Renée O’Connor), who has recently joined a submarine – the USS Pequod – commanded by Captain Ahab (Barry Bostwick), who is on an obsessive hunt throughout the seas for a giant whale.
Herman becomes anxious as Ahab’s insanity worsens throughout the voyage, and crescendos as the submarine finally crosses paths with the giant whale.